It’s when I play shakuhachi in nature that I experience the full power of it. Why? How?Continue reading Playing Shakuhachi in Nature
Inner & Outer Journey
In the history of shakuhachi, there is a strong shift: when the shakuhachi went from being a spiritual instrument to becoming a music instrument. It was at the end of the XIXe century, during the Meiji era. Actually it was a dreadful period for Zen Buddhism, thus shakuhachi. The Komuso monks were not allowed anymore and had to give lessons and concerts to survive. The shakuhachi took its part in chamber music with koto and shamisen to play “sankyoku“.
Apparently the zen tradition was still allowed in a couple of temples (to be practiced secretly?) and after some time, was allowed more officially again. I am not an historian so forgive my approximations in this story.
What inspires me is how the shakuhachi survived this transition: opening to the outside world. Like it followed an underground stream to reappear further, when its time had come again. In the meantime, the Tozan school of modern shakuhachi was born and Japanese music was more and more influenced by the Western culture.
And then, in the 1960’s, shakuhachi was almost dead again. Shakuhachi master Yokoyama Katsuya realised that the shakuhachi had to be brought further to the outside world, meaning outside of Japan. Shakuhachi reached the USA, Australia, and later Europa and the rest of the world, other Asian countries included. The interest for traditional shakuhachi in Japan is still low (please correct me if I’m wrong here), but still exists. And shakuhachi has reached different of styles of music: jazz, pop music , movies, video games, etc.
Yet, the spiritual tradition is still alive and has been developing more and more outside of Japan as well. This is fascinating. It makes me wonder whether you need a balance between the inner and outer world to embrace shakuhachi fully. If so, how do you find this balance?Continue reading Shakuhachi Wisdom
When I opened my Virtual Shakuhachi Dojo on Patreon last February (https://www.patreon.com/shakudojo), I started to film tutorial videos for the patrons of the KAN Tier. Once a month, I address a specific topic or technique. So far I have published videos about abdominal breathing, embouchure for (absolute) beginners, the basic scale otsu, how to play in kan, how to attack a sound, how to warm up, meditation in nature. When you subscribe, you also get access to a PDF-file with basic exercises for practicing long tones, fingers, octaves and intervals. In the coming months, I’ll be filming how to practice these exercises and release the videos in my Dojo.
Why do you have to pay to get access to this content?Continue reading Tutorial Videos
It has been already one year. One year of pandemic, lockdown, restrictions,… To continue working, I set up online lessons, online meditations, online workshops, a virtual dojo… I even composed a ZOOM-Duet!
It has been already one year and it is also Spring time again, like last year, when everything closed down. From last year I remember the urge of going outside after months of rain and suddenly the emptiness of the streets. I remember contacting people to find concerts and suddenly all events cancelled. I remember wanting to make more (Dutch) friends and suddenly having to avoid people on the streets. I remember going in nature and feeling suspected when I sneezed because of allergies…
When this second year of pandemic started, it was Spring again and Spring shows you how strongly life goes on. Birds are singing, trees begin to bud, timid flowers come out of the ground, you cannot miss it. As I am lucky enough to live close to nature, I have started a new project: playing shakuhachi outdoors and filming it. Watch it here.Continue reading SEIYU and the YUU
My first debut CD (or single) is released!! It features 3 compositions for solo shakuhachi in which I explore my African roots as well as the relationships between Japanese and African spiritualities. It is now available online on all digital platforms like Spotify, iTunes, Amazon Music Deezer, etc.
In the coming months, the music notations will be available as well.
It was a huge work, the musical result of which being only the tip of the iceberg. I was dreaming of recording a CD already for years. Honkyoku? Modern music? Birds? At a point, it became obvious that my first recording should be my own compositions. Who I am. Where I come from. And what I can do with a shakuhachi.Continue reading African Memories
Last weekend, I gave two workshops about blowing together, which is an important part of our practice in the Hijiri-ryū.
Blowing together means learning to listen to yourself and to the others at the same time. It isn’t always easy to hear your own sound among all the other sounds, but you’ll notice that the sensation of your own vibration will increase, and a new “internal ear” will be activated. It’s a matter of letting go of yourself to join the breath and sound of the others, and find your own voice inside the group.
The shakuhachi is very challenging on this aspect because it is mainly played solo, or with strings instruments (koto / shamisen) which have a more stable intonation. The fluctuations of the shakuhachi and the stability of the strings complement one another. In a group of shakuhachi, the first difficulty when you play with others is the stability of your own sound, and then, your capacity of embouchure control and adaptation to the “common pitch”. The common point of all players is the breath. Blowing together, even if the lengths of breath are different, becomes a way of supporting each other. It asks concentration to find the right balance in the group, but gives so much energy back. And the best reward is the music you can share.
I sometimes get questions about the style I play and the school I belong to. As I don’t speak Japanese, I searched for a translation of the term “Hijiri” and here is what I found (Encyclopedia Britannica):
Hijiri, (聖, Japanese: “holy man”), in Japanese religion, a man of great personal magnetism and spiritual power, as distinct from a leader of an institutionalized religion. Historically, hijiri has been used to refer to sages of various traditions, such as the shaman, Shintō mountain ascetic, Taoist magician, or Buddhist reciter. Most characteristically hijiri describes the wandering priest who operates outside the orthodox Buddhist tradition to meet the religious needs of the common people.
I grew up in a catholic family and although I’m no believer myself, Christmas has always been for me an important symbol of peace and reconciliation. As a child, my favourite Christmas songs were those of The Poppys, a group of French children singing about love, world peace, and against war. I hadn’t listened to these songs for years, but they still move me while listening to them again so many years later, because there’re performed with all the faith and sincerity of children’ hearts, the very same feelings I had in my own child’s heart.
Continue reading Christmas Spirit
A duet-version of the honkyoku “Azuma no kyoku”. Playing with myself is actually a very efficient way of practicing. Hope you enjoy.