I sometimes get questions about the style I play and the school I belong to. As I don’t speak Japanese, I searched for a translation of the term “Hijiri” and here is what I found (Encyclopedia Britannica):
Hijiri, (聖, Japanese: “holy man”), in Japanese religion, a man of great personal magnetism and spiritual power, as distinct from a leader of an institutionalized religion. Historically, hijiri has been used to refer to sages of various traditions, such as the shaman, Shintō mountain ascetic, Taoist magician, or Buddhist reciter. Most characteristically hijiri describes the wandering priest who operates outside the orthodox Buddhist tradition to meet the religious needs of the common people.
Continue reading Hijiri 聖 shakuhachi
My first day in Japan, my first day in Tokyo… I didn’t know where to go so I decided to go to a park. Seeking nature in such a big city instead of running to see temples, modern buildings, palaces, shops, museums… that’s me…
At that time, I knew very little about the shakuhachi. I had one, I had taken a few lessons but I wasn’t getting much further than playing the basic notes and a few simple melodies. I had taken my shakuhachi in my suitcase -“to play in the metro” said ironically to me a musician of our orchestra- to see if I would get more inspired to play it in Japan. It’s not that I missed inspiration or desire to play it, no at the time I missed time to think and make a decision. Actually I took this time just before going to Japan, but was not conscious yet that shakuhachi was part of the choices I would have to make in my life. Continue reading Komuso monks in Tokyo, April 2005