When most of us on the planet are more or less locked down at home due to the Covid-19 pandemic, when lots of stressful information are endless released all around the world, I was wondering “what can I do, as a shakuhachi player?” And then I got this message from Kiku Day:
“We are a group of shakuhachi players who did a little brain storm and we came up with the idea of a ROBUKI WAVE. We suggest to make a ROBUKI WAVE across our planet as a gesture of solidarity, contemplation and healing of the situation with Covid-19 we are in at present! Join us playing ROBUKI at 12 noon your own time for as long or short as you want. We start tomorrow Monday 23rd March 2020! We will at least continue for a week and see if we continue further. Imagine as the Earth rotate there will be people playing robuki at 12 noon across the whole planet. […Facebook event details…] We will try to make a video with ROBUKIi across the whole planet afterwards.”
I immediately loved the idea of blowing RO together to connect and join our efforts and thoughts for the planet. I passed on the message to my students and friends in the Netherlands & Belgium and some of them reacted with a strong enthusiasm. This made me think that it would be nice to meet up online to blow together. I had never used ZOOM before, so it was a good opportunity to learn quickly how to use it and set up a daily Robuki-meeting!
Continue reading Robuki in the Time of Covid-19
After a long Winter period, I was ready for Spring and couldn’t wait to get started. Next to the usual individual lessons, I had again some performances & workshops planed. They all didn’t resist the restrictions due to the Covid-19 pandemic, like everywhere in the world for many many many other freelance artists…
What does this pandemic tell us about ourselves? Since the last weeks, I see that it forces us to think different and be creative. I see so many nice initiatives popping up online and in real (playing at your window for or with your neighbours). And for myself, I see it as a new challenge.
And it reminds me every day how important health is, how important it is to live a healthy life and care for others.
Protect yourself, and also protect the others. In our very individualist modern societies, the Coronavirus shows us how strongly we are all interconnected and that we cannot ignore that.
“Man sacrifices is health in order to make money. Then he sacrifices his money to recuperate his health. And then he is so anxious about the future that he does not enjoy the present. As a result he does not live in the present or in the future. He lives as if he is never going to die and then dies having never really lived.”
His Holiness the 14th Dalai Lama
So it is time to live in the present! To find new ways and enjoy being connected!
Continue reading ONLINE SHAKUHACHI
As well as my colleagues around the world, I will get more online the coming months. Starting with teaching. How does this work?
This is my first post of 2020, so I am way too late to wish you a Happy New Year, even the lunar one! But I do wish you health and happiness for every day in your life.
I did want to write a “Happy New Year & Good Resolutions” post, but it didn’t work. The main reason for it, I think, is that I was in “winter mode”. Not only the actual season for the Northern Hemisphere where I live, but actually this part of a cycle when you gather and restore your energy, preparing for the rest of the year, when you are not in “production mode” but in “silent mode”. It is definitely a necessary period for creativity and growth. Even if you have the feeling that you are not making any progress and you are not getting anywhere, you actually do.
Continue reading Winter Mode
To celebrate the third anniversary of my blog, I am sharing some tips to practice shakuhachi honkyoku. Happy blowing!
Continue reading 12 tips to study Honkyoku
Last year, I presented the fantastic work of my colleague and friend Fiore Seichiku De Mattia: “Floatings Souls” (Anime Fluttuanti), a project conducted as part of the Music Research Laboratory in Psychiatric Community, Fondazione Emilia Bosis (Bergamo). Since that time, Fiore made and uploaded 3 new videos about this project, chosen as the most representative ones. In these videos, he plays original shakuhachi solo compositions of Fukuda Teruhisa: Kanjinhijiri, Roro no Shirabe and Hijiri.
The spiritual inspiration of Fukuda sensei’s compositions, the “floating sounds” of the shakuhachi and Fiore’s profound reflection about the mystery of the other guide us to find the connection to these “floating souls”.
It is moving and beautiful. Continue reading Floating Souls (2)
The last time I visited the patients at the dementia care home was almost one year ago, just before Christmas 2018. At that time, I didn’t know it was the last time. My guide and colleague A., who accompanied me for most of my visits, was still ill, and I went visiting the patients with the nurse organising the activity, H. I didn’t write about it at that time, because nothing really special happened (although each visit is special in itself), and I thought I would couple it to my next visit, which I expected to be planned in January. But no appointment came in January, nor in February, nor in the months after. H. hoped that it could start again after the summer, but sadly, it didn’t. A. was still ill and H. couldn’t find a replacement. As I moved outside of the city at the beginning of September, it would have become more difficult for me to combine it with my work schedule (I kept for months an afternoon per week free in case I would be called to play), so I decided to let go of it and I officially stopped last month, after 5 years of playing for these patients. Continue reading Shakuhachi & Dementia: My Last Visit
Last Friday, I had the great opportunity to participate to a Kyotaku workshop for beginners, organised by the Dutch Kyotaku player Hans van Loon, who had invited his master Tilopa Burdach.
It was for me the chance to meet the Dutch-Belgium group of Kyotaku players, and of course, Tilo himself!
The Kyotaku is a large bore jinashi shakuhachi “old style” which tradition was revived by Nishimura Koku (1915-2002), who was Tilo’s master. The minimum length starts at 2.2 and goes up to about 3.2. I was very curious to try it and hear it played live. Continue reading Kyotaku
The International Shakuhachi Festival Prague 2109 (ISFP19) took place one month ago and it was a fantastic event. I had the great honour to be invited by Marek Kimei Matvija to perform and teach and I prepared for this event for months. I put a lot of efforts in my preparations: not only practicing, but also writing teaching materials and composing new pieces. And the festival turned out to be beyond expectations. Continue reading Back from the ISFP 19!
In a bit less than a month, the International Shakuhachi Festival Prague 2019 (ISFP 19) will start. This 5-day festival (September 12-16) is one of the few big shakuhachi events in Europe (another one being the European Shakuhachi Society Summer School). It will be held in various beautiful venues in the historical city of Prague (Czech Republic) and the program is awesome! Check it out here.
For the first time, I will be teaching and performing there and I am quite excited about it! I have been preparing my workshops for months and here is a short presentation about what I will be teaching. I am preparing teaching material and exercise booklets as well, which will be available during the festival.
In another post, I will present the pieces I will be performing.
If you are around, don’t hesitate to join! Continue reading ISFP 19 – Workshops “Warm-up Routines” and “Intonation”
The idea to combine chakra meditation and shakuhachi occurred to me already a couple of years ago. The shakuhachi is such a special instrument, whether it gives energy, peace, spiritual awakening or helps you fall asleep. When I started to be interested in this topic, I found some music composed for shakuhachi related to chakras, but this was not what I was looking for, so I kept on searching further.
I eventually created my own chakra meditation practice with shakuhachi in a very simple way. It is not related to special frequencies like some other musical chakra meditations, but aims to help you open your entire body, heart and soul when you play shakuhachi.
I introduced this practice during the last Fukiawase session, and my students seemed interested in it. So this encourages me to share this practice in this post.
Continue reading Chakra meditation with shakuhachi