6 good reasons to learn shakuhachi
1. It’s a very special instrument: its sounds is unique and will open a new world for you. Playing it makes you feel special.
2. It’s a deep breathing training: breathing is relaxing and essential for your health. It will help you find a quiet moment in your day to breath.
3. It’s a challenging instrument:
- physically: to get a sound, to keep it, to get the proper pitch.
- mentally: to go on and don’t give up because it’s more difficult than what you thought. You can do it.
- energetically: it’s a mirror of your energy level, and it will help you to improve it.
- spiritually: you’ll have to let go of your self and accept what is given by the flute. Playing the old traditional music is a spiritual act.
4. It’s a very old tradition, which reaches people deeply.
5. It will improve your concentration in your daily life.
6. It will bring peace in your life. And you’ll be able to share this peace with the people around you by playing it for them.
I wish you a healthy, peaceful, musical and happy New Year!
A new year has started, with new challenges and new resolutions. Last year, my good resolutions were to follow 12 zen rules and apply them to shakuhachi. I kept this in mind throughout the year, and started gradually a more consistent practice of meditation. This leads me to my good resolution of this year: be a better person. I believe that everyone can contribute to make this world better starting with oneself, and I’m trying to improve my share. I have been learning a lot since I’m meditating on a daily basis and it has been deepening my shakuhachi practice. Although I’m still a beginner, I’d like to share with you how meditation helps me to become a better shakuhachi player.
Continue reading Happy 2018!
I can’t believe it’s already one year I’ve been writing this blog. When I started it, I had no idea I would like it so much. I didn’t have much expectations, just wanted to try and see. One year later, I’d like to thank all my readers for their support, nice comments, reading, listening. If you like my music and stories, please don’t hesitate to follow me by entering your e-mail address on the website. You’ll receive my posts as soon as they are published. Please also check regularly the pages, I post new music there from time to time.
Keep on reading, I have a little surprise for you today…
Continue reading One year!
In most of my visits to the dementia care house, I notice how the condition of the patients has deteriorated. Their illness can’t be cured and it can only go worse and worse. As I play in less departments since last year, I see the same patients more often. And I notice that writing this blog helps me to better remember them and what happened during my visits. After my last visit last week, I was very happy but couldn’t say why. Wait a minute, it’s because something very special happened: improvement!
Continue reading Great feelings
It has been some time since my last visit to the old people with dementia, which was on the 17th of October. I didn’t think it would take me so long to write a post about this particular day. In the morning, I had just posted my previous post about Practicing Kokū and was planning to write this one quite rapidly afterwards. But life had other plans. Continue reading Beyond Borders
Kokū is considered one of the oldest compositions for shakuhachi, one of the three fundamental pieces together with Kyorei and Mukaiji.
Koku means “Empty Space,” or “Empty Sky,” (“Ko,” “empty”, and “Ku” “space”, or “sky”.)
There are many legends about this piece, and many different versions. Some versions are based on the story of the “Bell Ringing in an Empty Sky”. It refers to the death of the monk Fuke and his disappearance from his coffin. Only remains the sound of his bell coming from the empty sky. Other legends say that this piece has been composed in the 12th century by the monk Kyochiku, who heard this melody in a mystical dream. With the mist blocking the moon, it looked like the sound of the flute was coming from an empty sky.
Koku has a flavor of infinite mist and echoes. It is said that playing this piece helps one explore the boundaries of “mu” or nothingness, transcending reifications, the artificial cognitive boxes into which we place objects, situations and emotions.
Source: The International Shakuhachi Society
Continue reading Practicing Kokū 虚空
It has been more than a year I haven’t been to the department of Young People with Dementia (Bosweg) because of a big reorganisation followed by financial cuts. I don’t get paid for these visits but one of the consequences of this reorganisation is that each department must now organise its own activities and I’m attached to another department. So I wasn’t sent there anymore. Luckily, I recently happened to meet someone I already knew from this department and I found my way in again. I was really looking forward to it and to see the patients again. My appointment was today and it turned out to be one of the heaviest visit I made. Continue reading Bosweg October 2017
The Honkyoku pieces (solo traditional pieces written by monks) have no fixed rhythm. The rhythm is based on the length of the breath, the amount of notes you have to play in one breath and how you use your breath. The tradition transmitted from a master gives indications how to place the tones within a breath. It can vary from a player to the other, but also from one day to the next.
How about silence? Continue reading The Rhythm of Silence