6 good reasons to learn shakuhachi
1. It’s a very special instrument: its sounds is unique and will open a new world for you. Playing it makes you feel special.
2. It’s a deep breathing training: breathing is relaxing and essential for your health. It will help you find a quiet moment in your day to breath.
3. It’s a challenging instrument:
- physically: to get a sound, to keep it, to get the proper pitch.
- mentally: to go on and don’t give up because it’s more difficult than what you thought. You can do it.
- energetically: it’s a mirror of your energy level, and it will help you to improve it.
- spiritually: you’ll have to let go of your self and accept what is given by the flute. Playing the old traditional music is a spiritual act.
4. It’s a very old tradition, which reaches people deeply.
5. It will improve your concentration in your daily life.
6. It will bring peace in your life. And you’ll be able to share this peace with the people around you by playing it for them.
It was very hot when I went to the dementia care house last Tuesday for my monthly visit to the elderly people there. They were sheltering in the shadow and the first group I visited was watching a documentary with pictures of mountains and snow. How refreshing! They weren’t that happy when A. turned off the television and even though I played some music from the north of Japan, it was challenging to pass on to them through my breath a feeling of cool air. Most of them did appreciate my musical interlude though, especially a tiny old woman, Mrs M., cuddling a big cuddle dog she always carries around. She loves music and spontaneously hums along with an evident pleasure. Two people were sleeping and two others were waiting to get the television back, but she was the one who was going to give me the biggest surprise of the day. Continue reading Summertime
In a previous post, Music recordings, I wrote about the benefits of recording yourself during your practice. Have you tried it so far? How is it working for you? For me, it has really become part of my daily practice. Not that I record myself every day (!) but it has become one of the tools I like to use to practice. Like I use a tuner to control the pitch, a metronome to control the tempo and rhythm, I record myself to check how I sound. Or just to do a run-through.
In addition to my previous post, I’d like to add here a few tips to go further.
Continue reading Recording yourself
April 25 – May 23
Back today to the dementia care home where I’ve been playing for elderly people since 2014. Between today and my last visit on April 25, I gave three very different performances: the Requiem of Jenkins in the concert hall in Middelburg with orchestra, choir and soloist ; the musical show “Fureidesu” with the storyteller Gerard Jellema in Rotterdam, and the opening of the exhibition “Les Petites Peurs” by S.P.A.M. van Griensven also in Rotterdam. Different places, different audiences, different ways of listening, different ways of playing. And here I am today, back in Nijmegen for my monthly visit to the elderly people cuddling their Teddy bears, playing with toys and desperately roaming in the corridors trying to find their way home.
What a difference.
What am I going to play today?
Continue reading Inspiration
Good resolutions… 5 months later…
How are you doing with the good resolutions you decided to take in January? Did you manage to implement them in your life, are you still trying to do so of did you give up and postpone them for next year? My good resolutions were inspired by 12 zen rules. I can apply some of them regularly in my shakuhachi practice (see post) but for others, I’m still trying to find ways to apply them in my daily life too. Since I’m back from Japan, I’m particularly working on “#4 – Do less“, with the help of “#11 – Think about what is necessary“. Shakuhachi speaking, they are also very interesting. Continue reading Do less
Shakuhachi is often unpredictable in the beginning. Some days are better than others. In the same practice session, you have good moments and a few minutes later, you cannot make any sound anymore. It can be frustrating. Although there is no chance involved there, but a combination of subtle factors you will learn to master better and better with your practice. Concentrating on the mouth, lips, head position is necessary, but not sufficient. When you play shakuhachi, your entire body gets involved. The flute should become a part of your body. The sound you make comes from deep under in your belly, not only from your mouth and lips. It starts with your inhalation. So a good body posture is an important factor one shouldn’t underestimate, especially in the beginning. Here are some tips to keep in mind when you practice:
Continue reading Basic body posture
In the coming months, I’ll be performing in 5 different projects, which shows the diversity of possibilities of playing shakuhachi:
The Requiem of Karl Jenkins, May 4 in Middelburg (NL), Japanese tales, May 12 in Rotterdam and July 2 in Den Helder (NL), Les Petites Peurs, mixed media installation, May 20 in Rotterdam (NL), Les Cordes en Ballade, classical music festival, July 11 in Bourg-St-Andéol (FR) and The European Shakuhachi Society Summer School, July 27-30 in Vejle (DK).
Continue reading Agenda May-July 2017
Going to Japan was an old dream. Since I met Fukuda Teruhisa Sensei in 2006, I was looking forward to the day I could fly again to Tokyo and study with him there. Life took its time to make this trip possible. Preparing it was already great. Doing it was overwhelming.
I’m back since a few days, after 3 weeks of travel and experiences. I didn’t have time to write and post when I was there. I always need time to reflect on my experiences.
What attracts me most in the shakuhachi, what touches me most beyond its fabulous sound, is the spirituality and the nature. Maybe they are both the same for me. Being in nature is meditating. I sometimes go to the the forest nearby where I live with a head full of thoughts, and I come back with a head full of birds’ songs.
Playing a traditional music which isn’t from your own country is like speaking a foreign language. Going to Japan was going to the source of this language and trying to discover and feel what inspired the people who created this music. Quite a program. In two parts. Tokyo, for the shakuhachi lessons, the culture, the modern life. Hokkaido for the nature. There were both as inspiring.
Continue reading Japan