Tag Archives: Japanese traditional music

5 Steps for A Meaningful Shakuhachi Practice

The first meditation lesson I listened to this year was by Charles Freligh about “10 Principles for Daily Living”. It resonated deeply with my shakuhachi practice, especially when he came to talk about Authenticity.

Authenticity is a combination of vulnerability and courage to show who we really are.

The answer to his question “when do you feel most authentic?” was immediate: “when I play shakuhachi“.
At the end of his lesson, I realised that when I practice shakuhachi, I cover all the 10 themes he talked about.

I found it so interesting that I translated his lesson into a “5-steps meaningful (daily) shakuhachi practice”.

Continue reading 5 Steps for A Meaningful Shakuhachi Practice

Online Presentation on December 13th

Honkyoku for beginners

A bit more than a month ago, I released a booklet for beginners made of simplified versions of four short honkyoku. To celebrate the 4th anniversary of this blog on December 13th, I will be giving a ZOOM presentation about one of them, Yamato Choshi. My wish is to explain how to go from the simplified to the full version of this piece. I will be introducing along the Hijiri-Kai style. The presentation will be followed by a Q&A. To register, contact me or scroll down.

A few weeks after I released this booklet, I found this quote, from one of the greatest shakuhachi masters, Yokoyama Katsuya:

“It is important to grasp the main themes and melodies of a piece without getting lost or caught up in the pursuit of various techniques and minor themes.”

“Grasping the main themes and melodies” is exactly what my booklet for beginners is about. I think that it is not always easy to identify them when you are a beginner. The Japanese musical notation is very often seen as challenging. Actually, what is challenging is to notate a honkyoku!
As Yokoyama Sensei writes:

“Honkyoku are alive. It is very difficult to capture them on paper. Honkyoku sheet music is like a snapshot of but one aspect of the piece. It is helpful in giving us an idea of what the song is about, but it cannot come close to describing the totality.”

But what is a honkyoku at the first place? Here is a definition by Yokoyama Sensei:

Continue reading Online Presentation on December 13th

HONKYOKU for Beginners

Honkyoku is a traditional old shakuhachi piece which was played by the Komuso Monks to practice Suizen, the breathing meditation. There are no honkyoku for beginners. They are all difficult. But so beautiful. At least, some of them are short and can be played by beginners.

The Japanese traditional way to learn shakuhachi is to start with children songs and folk tunes. But most of my students don’t take shakuhachi to play this repertoire, they want to play zen music. As I did when I started to learn shakuhachi.

So I decided to write simplified versions of some short honkyoku to make them more accessible and to enable my students to understand the spirit and the right blowing experience of them. Because of too many information too soon in the learning process, the pure line of the music and the spiritually of the piece often disappear behind the technical difficulties.

After practicing these simplified versions, my students go to the original versions and they can follow the line and add the ornaments much easier. It is more rewarding.

Introduction to Kyorei, Yamato Choshi, Honte Choshi and Tamuke

Some time ago I thought that my teaching material for beginners might be useful for other students who don’t have a teacher to guide them. Therefore I have been working hard the last months to update those simplified versions of Kyorei, Yamato Choshi, Honte Choshi and Tamuke, add preparatory exercises, record them all and put them all together in a booklet for self-study with an audio playlist to play along with.

As the shakuhachi repertoire was originally transmitted from master to student most of the time without notation, listening to the master and repeating after him was the way to learn a piece. So I would like to encourage shakuhachi students to listen and play along as much as possible to integrate the sound, breathing, pitch and rhythm. The ultimate goal would be to learn all the four pieces by heart and play them with the audio files.

So here it is! A step-by-step guide to your four first honkyoku!

Continue reading HONKYOKU for Beginners

SHAKUHACHI REPERTOIRE SPOTLIGHT #1 – Low Register

In the coming months, I will release a series of posts about a selection of pieces, from the very beginner pieces to some advanced ones. In addition to the information about the piece itself that you can already find in the “Repertoire” section, I will give some tips to practice them.
NB: Practice tips don’t replace the guidance of a shakuhachi master.

I rarely teach folksongs and sankyoku (only if the student asks for it). So this selection will mainly consist of honkyoku and some modern music (among them, some of Fukuda Teruhisa’s compositions and my own compositions).

Let’s start with the beginning!

#1. What pieces can you play only in the low register (otsu)?

When you are a beginner, the upper octave (Kan) can be challenging. There is only a couple of honkyoku (to my knowledge) that you can play entirely in the first register: HiFuMi Chō and Kyorei (depending on the version: some versions of Kyorei contain a “kan” section).
To provide my students with some extra pieces in the Otsu (low) register, I wrote “10 Easy Pentatonic Melodies“. The first 6 are exclusively in Otsu.

Let’s have a look at these pieces:

Continue reading SHAKUHACHI REPERTOIRE SPOTLIGHT #1 – Low Register

Blog Shakuhachi COMMUNITY (English & Français)

Online Komuso

You might have noticed that, since the third anniversary of my blog, I added a “support” button on my home page and at the end of each post. A few people have started to donate and I am very grateful to them.
The decision of adding a “Support” or “Donation” button was not an easy one . When I started this blog, I had no idea whether I would stop after 3 posts nor how it would be received. And here we are, more than 3 years later, and I am very proud to say that my blog is being read every single day somewhere in the world (in more than 100 different countries) almost since the beginning!! This is the greatest support I could ever have dreamed of and this is way beyond my expectations.
However, to reach this state and to be able to continue to develop the blog, I upgraded the free version to a paid one, as well as for my Soundcloud account, on which I uploaded dozens of recordings in order to help my students to study the repertoire and also to share our Hijiri-Kai music on this website. Upgrades cost money, and the writing of the posts plus the recording and editing of the music, cost time and energy. Time and energy that I am more than happy to spend! But as a professional full-time freelance musician, I also need to earn my living.

The alternative to offering the possibility a voluntary donation would be adding ads. It is not what I want for this blog and I will keep it “ads free” as long as possible. The donation fits better to my shakuhachi philosophy: I feel connected to the Komuso (begging monks) tradition through this online version!

When you subscribe to my blog, it is actually called a Membership. As I like this idea a lot, I have been thinking about it for a while – especially since the global lockdown caused by the Covid-19 pandemic. In these particular and difficult times of social distancing, I feel even more how we all are connected, and how important it is to keep blowing together and stay in touch.
So I have come up with a few ideas to make possible that a donation through my blog becomes a real Membership. After the amazing experience of the Robuki wave across the planet, I would like to use this opportunity to set up an English and a French community group!!

As it is difficult to make long term plans at the moment, I’d like to start with a trial period of 2 months (May-June 2020) and see how it goes.

STARTING on Wednesday, MAY 6!

Continue reading Blog Shakuhachi COMMUNITY (English & Français)

ONLINE SHAKUHACHI

Spring

After a long Winter period, I was ready for Spring and couldn’t wait to get started. Next to the usual individual lessons, I had again some performances & workshops planed. They all didn’t resist the restrictions due to the Covid-19 pandemic, like everywhere in the world for many many many other freelance artists…

What does this pandemic tell us about ourselves? Since the last weeks, I see that it forces us to think different and be creative. I see so many nice initiatives popping up online and in real (playing at your window for or with your neighbours). And for myself, I see it as a new challenge.
And it reminds me every day how important health is, how important it is to live a healthy life and care for others.
Protect yourself, and also protect the others. In our very individualist modern societies, the Coronavirus shows us how strongly we are all interconnected and that we cannot ignore that.

“Man sacrifices is health in order to make money. Then he sacrifices his money to recuperate his health. And then he is so anxious about the future that he does not enjoy the present. As a result he does not live in the present or in the future. He lives as if he is never going to die and then dies having never really lived.”

His Holiness the 14th Dalai Lama

So it is time to live in the present! To find new ways and enjoy being connected!
As well as my colleagues around the world, I will get more online the coming months. Starting with teaching. How does this work?

Continue reading ONLINE SHAKUHACHI

Kyotaku

Last Friday, I had the great opportunity to participate to a Kyotaku workshop for beginners, organised by the Dutch Kyotaku player Hans van Loon, who had invited his master Tilopa Burdach.

 

It was for me the chance to meet the Dutch-Belgium group of Kyotaku players, and of course, Tilo himself!

The Kyotaku is a large bore jinashi shakuhachi “old style” which tradition was revived by Nishimura Koku (1915-2002), who was Tilo’s master. The minimum length starts at 2.2 and goes up to about 3.2. I was very curious to try it and hear it played live. Continue reading Kyotaku

Back from the ISFP 19!

The International Shakuhachi Festival Prague 2109 (ISFP19) took place one month ago and it was a fantastic event. I had the great honour to be invited by Marek Kimei Matvija to perform and teach and I prepared for this event for months. I put a lot of efforts in my preparations: not only practicing, but also writing teaching materials and composing new pieces. And the festival turned out to be beyond expectations. Continue reading Back from the ISFP 19!

ISFP 19 – Workshops “Warm-up Routines” and “Intonation”

In a bit less than a month, the International Shakuhachi Festival Prague 2019 (ISFP 19) will start. This 5-day festival (September 12-16) is one of the few big shakuhachi events in Europe (another one being the European Shakuhachi Society Summer School). It will be held in various beautiful venues in the historical city of Prague (Czech Republic) and the program is awesome! Check it out here.

For the first time, I will be teaching and performing there and I am quite excited about it! I have been preparing my workshops for months and here is a short presentation about what I will be teaching. I am preparing teaching material and exercise booklets as well, which will be available during the festival.

In another post, I will present the pieces I will be performing.
If you are around, don’t hesitate to join! Continue reading ISFP 19 – Workshops “Warm-up Routines” and “Intonation”