Agenda May-July 2017

In the coming months, I’ll be performing in 5 different projects, which shows the diversity of possibilities of playing shakuhachi:
The Requiem of Karl Jenkins, May 4 in Middelburg (NL), Japanese tales, May 12 in Rotterdam and July 2 in Den Helder (NL), Les Petites Peurs, mixed media installation, May 20 in Rotterdam (NL), Les Cordes en Ballade, classical music festival, July 11 in Bourg-St-Andéol (FR) and The European Shakuhachi Society Summer School, July 27-30 in Vejle (DK).

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Japan

Going to Japan was an old dream. Since I met Fukuda Teruhisa Sensei in 2006, I was looking forward to the day I could fly again to Tokyo and study with him there. Life took its time to make this trip possible. Preparing it was already great. Doing it was overwhelming.

I’m back since a few days, after 3 weeks of travel and experiences. I didn’t have time to write and post when I was there. I always need time to reflect on my experiences.

What attracts me most in the shakuhachi, what touches me most beyond its fabulous sound, is the spirituality and the nature. Maybe they are both the same for me. Being in nature is meditating. I sometimes go to the the forest nearby where I live with a head full of thoughts, and I come back with a head full of birds’ songs.

Inspiration

Playing a traditional music which isn’t from your own country is like speaking a foreign language. Going to Japan was going to the source of this language and trying to discover and feel what inspired the people who created this music. Quite a program. In two parts. Tokyo, for the shakuhachi lessons, the culture, the modern life. Hokkaido for the nature. There were both as inspiring.

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