Tag Archives: Shakuhachi players

Striking Light, Striking Dark

“If light comes, I will strike it. If dark comes, I will strike it.”
(Kyotaku Denki)

Poetry set to music

Original compositions by Christopher Yohmei Blasdel, Shakuhachi, & Sasha Bogdanowitsch, Voice & World Instruments. 2015.

I bought this CD at the WSF 2018 in London last August and I was very curious to listen to it. “Original compositions by Christopher Yohmei Blasdel & Sasha Bogdanowitsch”and “Poetry from Rainer Maria Rilke, Pablo Neruda, John Logan and Sam Hamill” was enough to intrigue me. I love poetry and I have been working myself for a long time about connecting music and words, in shows or with composers.

The first time I met Christopher Yohmei Blasdel was at the International Shakuhachi Festival in Prague in 2010 and got from him my first Kinko-ryū Chikumeisha shakuhachi lessons. How much I struggled on Hifumi Hachigaeschi no shirabe at that time! But the more you struggle, the deeper you remember the music! He was very patient with me and I enjoyed a lot his teaching, his playing during the concerts, and his Aikido-based workshops. His bookThe Shakuhachi, A Manual of Learning” is a must to have in your shakuhachi books’ collection.
At the ISF Prague, I purchased his CD Visionary Tones and his book The Single Tone. Both are beautifully inspiring and I have a strong personal connection with the CD.

After a busy summer this year, one of the first things I did when I was back home was to listen to Christopher’s CD. I was immediately so captivated by its beauty and richness that I listened to it twice in a row, the first time listening “only” to the music, the second time while reading the texts I found on Christopher’s website (I am not an English native speaker).
Each piece is a little jewel.
Each piece takes you to its own world.
The connection between music and poetry is beautifully executed with high precision. Music and words enhance each other, reaching a new dimension.
It is so inspired and inspiring.

Below are some personal impressions about this very special CD. I hope this post will make you curious enough to listen to it (and guess what? You can also listen to it on Spotify!). Continue reading Striking Light, Striking Dark

World Shakuhachi Festival 2018 London

This year, the World Shakuhachi Festival (WSF 2018) will be held in London on 1-4 August, organised by the European Shakuhachi Society (ESS). It’s the first time it will take place in Europa, after Japan, the USA and Australia. I’m very excited to go and take part of this big event. This is my first time at a WSF. There will be shakuhachi players and makers from all around the world, from amateurs and students to top soloists. A lot of different styles will be represented: traditional, folk music (Min’yō), jazz, contemporary, improvisation, and there will be other Japanese instruments (koto, shamisen) as well as Western instruments. Inspiring! We’ll be blowing a lot of sounds 4 days long, during workshops and concerts. A bit overwhelming when you think of it. And quite a challenge for an instrument originally dedicated to meditation, breathing and silence…

Daniel Seisoku Lifermann and myself will be representing the Hijiri School, as our master Fukuda Teruhisa cannot attend the event. It’s the first time that our small school will be officially represented at the WSF, next to the bigger and more famous schools as Kinko-ryū, Kokusai Shakuhachi Kenshukan (KSK) and Tozan-ryū. I’m quite curious to see how it will be perceived. We’ll do our best! Continue reading World Shakuhachi Festival 2018 London

CD “Japan: Musical Offering” – Fukuda Teruhisa

In January 2018, the new CD of Fukuda Teruhisa has been released. I was waiting for this CD to come out since I heard his concert in November 2015 in Genève (Switzerland) and was totally mesmerised by it. So, of course, this post is not an objective review, but just some personal impressions I’d like to share.

Fukuda Teruhisa is well known for his interpretations of contemporary music. He recorded several CD of it. As for the traditional repertoire, his discography features a solo CD of “Kinko-ryū pieces” and a Sankyoku CD “Music of the Edo period” (trio with koto and shamisen). But this is the first CD where he only plays Koten honkyoku, meaning very old traditional music. Continue reading CD “Japan: Musical Offering” – Fukuda Teruhisa

Are there Japanese women playing shakuhachi?

I got this question from one of my (male) students during a workshop mainly attended by men. I couldn’t answer, as I actually don’t know any Japanese female shakuhachi player. All the Japanese masters I know are men. I do know some Western female professional shakuhachi players, but we’re not a lot, so the question is still open.

I recently heard of a book researching the history of shakuhachi through old pictures and paintings. This gave me the idea to do a little research myself. Here are some Ukiyo-e I found on the web, depicting women playing the shakuhachi, during the Edo period (17th-19th century). I’m now even more curious to know about these women playing shakuhachi at that time…